I chatted to the guys from JACK SWING about their latest EP GET WHAT’S MINE FOR YOU

Jack Swing are back with their second EP, released back in September. This EP combines three great tracks to create something that is definitely worth watching out for. I thought it would be a good opportunity to catch up with Isaiah from the band.

For those out there who haven’t heard of Jack Swing before, can you tell us a bit about yourself?

Absolutely. Jack Swing is a rock band from Pittsburgh PA that consists of Isaiah Ross (vocals/guitar), Rowdy Kanarek (bass), and Alex Nelson (drums). We are best buds, live together, and started officially in 2016. We enjoy movies, kung fu, anime, badminton, and one of us is extremely into cheese. Stylistically we’ve heard we’re a bit all over the place but I’d say we’re rooted in rock and frequently touch upon other things such as funk, soul, ect. 

Isaiah and Rowdy

Where did the journey into music begin for the band?

We’ve been playing together musically for a long time.  When I was about 14 I (Isaiah) asked Rowdy for bass lessons. At the time I was a rapper and my act and Rowdy’s band, The Incredibly Suave (who Alex drummed for at the time) would tend to share stages. After a while of doing these lessons with Rowdy I realized how much I love rock music and how much I needed to actively be in a band. All three of us played in numerous projects over the years both together and separately. After coming out of a tough emotional time I realized that none of my current projects were satisfying the things I needed from music. At this point I started Jack Swing and though we have had some lineup changes things have come full circle and currently the band is myself and the two people I’ve personally jammed with the longest.

Where does the name Jack Swing come from?

When I initially attempted to start this project I wanted its name to serve the same purpose as how I saw the names of my musical heroes (Led Zeppelin, Jimi Hendrix, ect). Unforgettable names yet powerful titles that have stood the test of time. New Jack Swing was something I heard a lot growing up, I suppose on some level that stuck with me. I went with that because it felt right in that regard and it’s felt right thus far. 

You recently released your latest EP Get What’s Mine For You. What does this song mean to you as a band?

As a band with this entire EP we really wanted to capture the energy of us playing together at the time as our previous drummer (Jonathan Lightfoot) was leaving the band as well as Isaiah Small (keys) was moving from Pittsburgh to Minnesota. This song represents that unique and special energy and all the memories that come with that. To me personally, this song represents doing whatever necessary to get the things from life that you want and deserve. We all have parts of ourselves that we’ve sacrificed as we’ve grown older. This song represents the energy of choosing to get those things out of life that you may have given up on in the past. Getting these things out of life that you deserve for yourself. 

Did you have any help with the recording and producing process?

Absolutely. We recorded the EP at The Church Recording Studio in Pittsburgh PA. The EP was recorded and mixed by Dave Hidek and mastered by Garrett Haines out of Treelady Studios. 

The music video looks like it was a lot of fun to make. What and who were involved in making it?

This video was a true blast to make. Some aspects were definitely easier than others, for example Alex is a big fan of rotisserie chicken so that passion definitely comes across in the video. Fake ghost-riding on a 90 degree day in a tracksuit on the other hand… A lot of very talented hands went into the creation of this video, I like to refer to them as the dream team. The dream team consists of the following: 

Anthony Peduzzi – Director 

Director of Photography: Raffaele DiLullo 

Production Design: Shannon Dailey

Swing/Set Dresser/ Transportation Captain: Max Cianci 

What were some of the biggest hurdles that you had to overcome when making your music, and how did you deal with them?

For me I think it was more the realization that the hurdles would be nonstop, and to not let them slow you down when they do happen. With any craft, troubleshooting is just as important as any other aspect, making music is no different. In music and life in general few things go according to plan, the best you can do is learn how to roll with whatever comes and keep moving towards your goals.  

Before the world went mad, did you have any opportunities to play any shows?

Live shows were definitely a huge part of Jack Swing’s existence pre-covid. As a band that was known for our live shows, making the adjustment was tough. Fortunately by living together we were able to immerse ourselves in different aspects of the music. But normally, we are very active in the live show regard. 

Are there any plans to get back on the road when it is safe?

Without a doubt. As soon as it seems genuinely safe we plan to hit the road harder than ever, until then there is always more tightening up to do. 

What is next for Jack Swing?

During quarantine we have written our debut album and currently are in the process of completing demos for it. We plan on getting back into the studio to work on it as soon as possible and ideally by the time it’s finished getting back on the road may be an option (fingers crossed). Otherwise we will keep writing and working on making music that we can stand by. 

Where can we find out more about you?

You can find us on any of our social media @jackswingpgh (facebook, Instagram, Twitter). As well as on all streaming platforms.  

Anything you would like to tell us?

A huge goal with our music is putting out light in a time where it’s hard to find any. Check us out and we hope you like what you hear. Keep an eye out for our full-length and check out our new EP and the video in the meantime! 

I’d like to thank Isaiah and the band for taking the time to answer my questions and wish them the best of luck for the future, and I hope to catch Jack Swing at a show at some point.

We chatted to Biohazards BILLY GRAZIADEI about his latest musical adventures…

You may notice things have been a little quiet around here recently. I recently had an email sent to my inbox, asking if I wanted to do an interview for a charity project. Of course I said yes!

Billy Graziadei, from the NYC band Biohazard, has been spearheading a new project recently, and we caught up with him about it.

Billy has been helping with CRU SOX, an initiative which means you can buy a great quality pair of socks, while also helping give something back to those in need.

Can you tell us a bit about how the whole idea of CRU SOX came about?

I’ve always been into helping others from an early age. In every aspect of my life I will extend myself to share a helping hand, my knowledge and experience with anyone in need. My Mother was a Nurse (and an amazing singer) so maybe it came from her. I teamed up with a couple from Arizona and set forth on creating a sock company based on the philosophy of giving back. When you buy one pair of socks, we donate 1 pair to someone in need. When you buy two pairs, we donate 3 and when you buy 3 pairs, we donate 5 pairs to someone not so lucky to be able to afford a new pair of dope socks!

Are you working with any other organisations to help further your cause?

I have a whole list of organizations I work with. Currently planning a annual Thanksgiving Day meal giveaway in Los Angeles paired with a new clean pair of socks. Working with Greetings with Gratitude for a holiday donation run in December. That organization is run by George Lynch of the Dokken, Lynch Mobb, etc. He’s a great dude and an amazing guitarist!

Are there any other famous names that are helping you along the way, or any others that you are hoping to get on board?

I brought a few friends on board, you may know Shifty from Crazy Town and Zoli from Ignite. Have had some great support from Al from Dropkick Murphy’s also! Everyone loves the idea of giving back.

How has the ongoing COVID-19 situation affected the mission that you and CRU SOX are furthering?

For me as an artist, I thrive in chaos so I look at life as a series of challenges rather than problems. There’s always an escape and an opportunity!

What can ordinary people, like myself, do day to day to help the homeless community (other than buy a pair of CRU SOX)?

Just do your part, of course buy a pair of socks but just do your part.

Other than your amazing charity efforts, what have you been up to over the last year?

I lost my Mother to Cancer when I was really young and any foundation benefiting that research is close to my heart! I would say all of the mental health, physical and substance abuse areas mean a lot to me also.

What lies next for Billy Graziadei?

I’m constantly creating, albeit new ideas for an awesome giveback company like Crusox or new music, a new band, etc. I set my realistic goals and go after them. With
years of success with my first band Biohazard, I started a band with Cypress Hill singer Sendog and we are currently working on our second release from our band Powerflo. I also have my sophomore release from my solo band BillyBio due out in early 2021. Assuming the music world opens back up and I can tour again!

Thank you for your time!

You can keep up with Billy at @BillyBiohazard everywhere on social media.

You can find CRU SOX here.

I’d like to thank Billy for his time and wish him and his project the best for the future.

September’s edition of TrueStyleMusic’s Spotify playlist is now live

The latest edition of TrueStyleMusic’s Spotify playlist is now live, with 12 tracks from some of the best up and coming indie, rock, acoustic and alternative artists out there. Most have been discovered from Musosoup, and if you are looking to get connected with over 200 other curators you can sign up here.

Opening up the playlist is Childhood by The Fox at Night. This debut dance track from this Scottish duo has house and electric synth vibes running throughout. Hopefully this pop anthem will make you engage your mind and reminisce about a much simpler time.

Following this is Wreckage by TrueStyleMusic’s old friend Heartwork (AKA Dan O’Dell), featuring Ed Pool. Dan has been busy at work this year, and has given us a new EP, Six, two singles and a Blink-182 acoustic cover album. If that wasn’t enough, he has also played a host of live streams, keeping us entertained over lockdown. This latest track combines Dan’s multi-talented musicianship with both of his and Ed’s vocals to create a rock track that’s pretty decent.

Up next is Simple Safari with “YOUTH”. In this latest adventure, co-founder of The Manatees James Brearley sets out with his own unconventional DIY approach to music, writing, recording and mixing everything himself. This debut single. The mix of upbeat indie sounds, combined with the lo-fi bridge, make this a track to look out for.

This is followed by Arise, the latest track from Phillip Morgan Lewis, released last week. This classic rock track from the London based multi-instrumentalist gives off some serious post-punk vibes and is one that hopefully I’ll be able to see live one day. The track has also been licenced for music placement in films and TV in the USA, so look out for it there.

Arise

Hybrid Kid’s newest single, Dropped, features next. Since its recent release, the track is starting to make waves and has been picked up by Tom Robinson from BBC 6 music. Often sticking to more ‘tradition’ song styles, this band are back in the UK after a stint over in the US, and are another one I hope to see live one day. I think their description of “if Pavement and David Bowie met The Stooges and MC5 in a seaside town like Brighton” reigns pretty true.

This is followed by Inaction by Alex Maxwell. This indie-folk artist from Dumfries is back after 2 years away. In 2017, he was championed as a BBC introducing artist for his debut single The Want Comes In Waves. This latest single combines Alex’s distinct Scottish melodies with indie guitar solos to create this one of a kind track, and another one to look out for.

Up next is something from slightly further afield. Swiims, an indie 4-piece from Toronto, Canada, released their debut EP, Through Waves, back in August, and the video for Hand Of Love came out last week. Their style is a mix of everything dream pop to shoegaze, and this track is no exception. The band’s 80s influence really shows in Hand Of Love.

Now for something slightly closer to home. Atari Pilot’s latest single, Blank Pages, is their third single release of the year. This DIY band combine the their mixed life experiences to create their music, and the passion shows, both through the lyrics and accompanying music. The mix of synths and more traditional instruments combine to make this a track I could see rocking a live venue.

Atari Pilot

Coming up after this is Snowflakes from Forgotten Garden, the lead track from their latest EP Broken Pieces. This band combine elements of 80s synth, with post-punk vibes, and is driven by the rolling bass line. The band’s lead singer, Ines completes their almost haunting melodies into this fabulous EP.

Proceeding this is How Long? by The King’s Parade. These guys have been releasing nonstop for the last three years, and the music video of How Long? came out a couple of weeks ago. The homemade video, recorded during lockdown, shows the chaos that can often come with band rehearsals (something many of us will know too well). This track explores the feelings of nostalgia through the singing and talent from the musicians. Another one to really watch out for.

The penultimate track in this edition is from Luke Jones, with Where Do We Go. This is the second single Luke has released, after his debut single Follow Suit was released earlier this year. It was written in the notes section of his phone while waiting for his girlfriend, and the mixture of figure picked electric guitar and indie vibes combine to show his message of the confusion of modern life and everything that goes with it. Definitely one for fans of Sam Fender, Mystery Jets and Arlo Parks.

And then to round things off, we have I won’t Be Doing That Again, the latest single from Sam Seccombe. Another indie-pop driven track (you can never have too many on one playlist), this is Sam’s 4th single release of the year, and part of his Second EP for the year. Sam’s hard work and determination, with producing all his music himself in his bedroom, really goes to show in this latest track, and is one that has the potential to really go far in this world.

Sam Seccombe

And that’s it for this edition of the playlist. Hopefully you find at least one new cool track to take your fancy.

If you want to be featured on an upcoming playlist, sign up to Musosoup or contact me.

IN EARNEST announce release of debut EP

Old TSM friends IN EARNEST have announced today the release of their debut self-titled EP. It combines their three current singles, Put Me Under, Come Upstairs and 29, as well as three more unreleased songs.

The band hope to encourage talking about mental health, self worth and hope with a mix of songs that scream of personal experiences.

Keep an eye out for something special on release day!

You can read TrueStyleMusic’s interview with IN EARNEST here

I caught up with TIDES about their single SILVER LINING

Although it may have been a few months since the release of their single, I thought it would be a good opportunity to catch up with one of the Aaron’s from TIDES about their killer single Silver Lining. Since the release of Silver Lining, the band have also gone on to release another single, Broken Record, now available across all streaming platforms.

Tell us a bit about the band. Where are you from and how did you all meet?

Tides is a Lincoln based 5 piece band. Aaron, Adam and Aaron are from Lincoln while Oz comes from Sheffield and Chloé, originally from France before moving to Lincoln. 

Adam and Chloé were on their way down the A1 to Stansted airport at 4am when they decided that they wanted to form a new band with a music style closer to what they like. They then sent messages to some musicians they thought would fit the bill, this included Aaron Hall. Oz Joined the band shortly after, as well as Aaron Smith who is actually our third but final bassist.

What made you want to use the band name Tides?

We are lucky enough to have an amazingly well spoken guy in our band, aka Oz, who came up with an arm-long list of potential names for the band. We ended up settling for Tides, short but striking. 

If you had to sum up your style in three words, what would you say?

It is a hard one… Eclectic – intricate – beef-riff 

Tell us a bit about your latest single Silver Lining. What does this song mean to you?

Silver Lining is the expression of overcoming hardships. We believe it is important to realise that, even in the darkest times, there is a light at the end of the tunnel.

This song describes the journey into reaching that better place through self-acceptance, self-love but also through making peace with the past.

Is this a hint at more new music to come?

We currently have three tracks out, SILVER LINING / WATCH IT BURN / BROKEN RECORD, available on all music platforms. With COVID and the current restrictions, we’ll take advantage of the time off to sit in the studio to work on some recordings for more releases in the next few months!

Who produced this? Have you worked with them before? How was it working with them?

All of our songs so far were produced by Martyn Bewick, who is also the owner of the Lincoln music studio Playing Aloud. He has been working with most of the band members on different projects, we trust him with our music as he is a great musician on top of being a great producer, and the results never disappoint.

You were supposed to be touring at the moment. Is this being rescheduled for another time?

Absolutely, we were supposed to play a number of gigs across the Midlands but also in Brighton on the opening day of Pride. It’s a shame we had to cancel so many shows but we are not letting this bring us down. We managed to play our debut gig at the Jolly Brewer in Lincoln on the 29th, it was an amazing show, we were really happy with the response of the audience and the overall atmosphere while respecting the social distancing guidelines. It gives hope for potential future gigs despite the pandemic. 

Where can we hope to catch you?

For the time being we don’t have any official dates. We don’t want to go on stage unless we can assure that it would be 100% safe for the audience and the acts. We’re currently making research on how to combine the new government guidelines and live events so we can hopefully get to play again very soon and safely.

What advice would you give to those looking to make music?

Find the right people, not only to play music but to take the music where you want it to be. As musicians in Tides, we trust each other’s abilities which allows us to experiment and improve ourselves constantly but also, when we’re not making it, we know we’re on the same wavelength when it comes to our approach on promoting our music. It’s all about musicianship and communication, we keep our egos out of the mix and we talk openly about what we expect from each other.

Where do you hope to be, this time next year?

Hopefully, this time next year, we will have a few gigs on our schedule! It would be amazing to do a tour of England next year. Also, Chloé being French, we would love to organise a few gigs on the coast of Brittany in the summer, so that we can introduce our music to our French audience in other ways than on local radio stations.

Where can we find out more about you?

You can follow our progression through our social media, we are on Facebook, Instagram and Twitter. We recently launched a Newsletter for those who really don’t want to miss anything. When it comes to our music, as we said earlier, you can find us on your usual music platforms such as Spotify, Deezer, Amazon Music, Apple Music as well as Bandcamp and SoundCloud. 

Anything you would like to tell us?

Thank you for the opportunity to share a bit more about ourselves and our music! Keep on being awesome!

I’d like to thank the band for taking the time to answer my questions, and wish them all the best for the future. I hope to catch them on the road soon!

EP review: Milk White Throat, Hierarchy

Having released their latest EP today, Brighton’s own Milk White Throat look set to make headway, with three tracks showing off all their talents.

Hierarchy was set to be released at the beginning of the year, but like most people, they were stumped by the dreaded c-word. Nevertheless, the release is now live and one you really should listen to.

The EP open up with Closed Eyes. Coming in at 7:30, this longer track really does push the boundaries of their music. It takes about a minute to get to the build-up, but once it is there it completely hits home. This is the kind of song you feel moving your organs (or is that only me?) and where the bass goes right through you. I could imagine this absolutely rocking a live venue one day. The band say that Closed Eyes is written from the perspective of the world within, and the struggle to grapple with who they are and what they feel their existence is worth to themselves. In my opinion, they have captured that message perfectly, both through the lyrics and the sound. The mixture of crashing metal with mellow rock really help complete that dilemma. Overall, this is a brilliant opener and mood setter to the album.

This is followed by Sleepless. Never one to shy away from a long song, this one comes in at just under 6 minutes, but, by all means, is another banger. The track opens up in a heavier style, really showing the bands metal roots. The softly sung lyrics complete this track, giving it its full meaning, and really demonstrating its message of the individual trying to qualify themselves to raise a child. It also shows the disruption of emotions that comes to someone when they start to question everything about themselves. The video for Sleepless was released back at the end of August, filmed at The Underworld in Camden, as well as the single across all streaming platforms. This track is another one not to be missed.

The final track on this EP is the title track, Hierarchy. Another long one, at close to 8 minutes long, this one combines the rock elements of Closed Eyes, with the metal sounds of Sleepless to create an awesome hybrid song. This track tries to explore the idea of understanding oneself through everything the world can provide. A difficult idea to talk well about in a song, but I think Milk White Throat just about manage to pull this one off. This is another track I cannot wait to see live as soon as it is safe to.

All in all, this three track EP is a great release from the band, with three bangers combining to create a masterpiece. In my opinion, it would be good to have it broken up with a shorter track somewhere in the middle, but nonetheless it is still one to watch out for, and one I hope to see live at some point in the future.

I chatted to REX about her debut single BAND INFLUENCE

After the release of her debut single, I thought it would be a good opportunity to catch up with REX about all things music.

Tell us a bit about yourself. Where are you from and where did music start for you?

I am an alternative pop / rock artist from Hampshire. Writing and making music is fuel for my soul, I can’t remember a time where songwriting hasn’t been a part of everyday life for me. Music started at the age of 12, my mum plays piano so there was always a piano in the house. I used to come home from school and learn all my favorite pop songs on the piano and accompany myself…not very well. I had a music teacher who encouraged us to create music all the time in class, anything and everything we wanted. This encouraged me at home to start writing my own music on the piano.  From here my confidence grew and I have been performing and writing ever since. 

You recently released your latest single, Bad Influence. What does this single mean to you?

This single is about enjoying life, not getting too caught up in a relationship with someone. I think it’s easy to have a connection with someone and immediately start thinking what if… but why not just chill, have a good time and enjoy the moment. 

Who produced this? Have you worked with them before?

I work with a producer called Oberon, we are a writing and production team. We are working together on all the music that is coming in the future, he fully understands my vision for the music which helps to make a great team.

Did you have any other help in the writing and recording process?

No other help, just me and Oberon! Too many cooks.. 

You seem to sing towards a person in this latest single. Is this an actual person or more of an idea of one?

It was towards a specific person yeah.. we won’t name names haha!

Before the world went mad, did you play many live shows? Are there any plans to play any again?

The band and I have been playing shows for years, performing live is my favorite thing to do! A few weeks before lock down we had a couple of gigs lined up, such a shame we didn’t get to play them but when we can we will be back with a BANG! 

What would you say is the biggest hurdle to overcome when making music, and what advice would you give to people trying to make their own stuff?

I think the most difficult part is making sure you are present when making music. Making sure that you are not in your own head second guessing what you are making, staying true to yourself as an artist and not letting the world dictate the music you make. My advice would be don’t worry about the numbers, streams or current trends. Be who you are and let that show in your music. 

What lies next for Rex?

LOTS haha, we have music lined up to be released this year and next year! The dream is a tour, hopefully we can in 2021 if Corona bores off!! 

Anything you would like to tell us?

I’m so excited about all the music that is coming, this is just the start of the journey! I can’t wait for more people to hear the music and become a part of this unique experience 🙂 

Well you’ve read the interview, so why not go check out the music? This is one to look out for over the next year, and another I cannot wait to see live ASAP. I’d like to thank Rex for taking the time to answer my questions and wish her all the best for the future.

LIVE REVIEW:Lonely Tourist and Chris Webb at Chapel Arts Centre, Bath. Saturday 29th August 2020

One of the biggest things I have missed this year is the gigs. The nervous excitement before the act comes on, the electric atmosphere of a room full of people, the ringing in your ears at the end of the night.

Sadly, that experience is still a while away, but in the meantime socially distanced gigs are a good midpoint. Chris and Paul’s gig was the first live music I have seen in over 5 months, after countless gigs and festivals were cancelled due to the C word.

It was a very strange experience compared to what I’m used to walking into, almost feeling like a 1950’s diner, somewhere in America. Small round tables, a single microphone on the stage and the dimmed lights. Truth be told, I was hesitant about how this was going to go. I’d seen reports from other socially distanced shows, some good, others not so.

But I’m glad to say my fears were unfounded.

8PM hit, and Paul (Lonely Tourist) took to the stage, and we could tell he was a bit nervous (and who could blame him, no gigs in 5 months can do that to you), and after a quick tune up, we were off for the first song.

Paul’s soft Glaswegian vocals and strummed acoustic guitar was the perfect mood setter for the night. Lonely Tourist is a new discovery for me, and safe to say, he is pretty fucking cool.

The second song from Paul was a new one, written during lockdown. Tom and the Library, a song exploring the unknown, and with some unfortunate lines about Morrissey, and my favourite line – Trump with daffodils – continued to keep the mood going.

There were also songs about streets he used to live on, the way his dad answers the phone, jobs he imagined having, songs about shift work, and songs about emptiness. With a mix of percussive head bangers and foot tappers, and some more soft finger picked songs, Lonely Tourist is definitely one I want to see live again.

But sadly the final song had to come from Paul. The Ballad of Paul Tierney (after starting with a slightly awkward round of applause) was a great end to his set. A final head banger/foot tapper, it would have been a great singalong – if they were allowed – and a great end to the entrée, before the cheese course that was Chris Webb.

At just past 10PM, Chris took to the stage, armed with a beautiful Gibson acoustic and a full set list to entertain us for the rest of the night.

The set was opened by a song called The Island. Written at the beginning of 2020, this song was supposed to be a thinly vailed song about Brexit, and, in parts, has aged like a fine wine (or cheese, depending on how you look at it). Nevertheless, the song was a great start to his set, and gave us the soft voice and finger picked style we are used to from Chris.

We were then treated to the opening track from Chris’s last album, The Monkey And The Jukebox, titled salt. A sad song that was complete bullshit, this song really showed his incredible talent and range of sounds produced from just one guitar.

Throughout the rest of the night, we were treated to more finger picking, head bobbing and foot tapping, with both new and old songs. Songs about breakfast, cancelled gigs, New Year’s Eve, Glasgow, and even a cover of John Martyn’s May You Never, all showed off Chris’s skillset.

But sadly, after 13 songs, it was time for the last two of the night. Stone, from Chris’s latest album was followed by an unreleased song – The Inevitable Lockdown Song. I’ve been hesitant about lockdown songs, as, before last night, I was yet to hear a good one. But I’m happy to say I finally have found one. With references to talking to plants and walking around in circles, this song had one of my favourite lines I’ve heard recently – I know the reason, it won’t last forever, but it’s hard to see over the hill.

And then it was the end of the night, and what a night it was. It was brilliant to be back seeing live music, and Chris and Paul were the perfect welcome back. Only problem is, I can’t wait until the next one.

I’d like to thank Chris and Paul for being amazing musicians and inviting me along, and to all the staff at Chapel Arts Centre, for hosting an amazing evening.

Some thoughts about socially distanced gigs:

As I’ve said a few times already, it was so good to be back seeing live music, and it is something I’ve really missed. But it’s just not the same as a normal gig. The performers were amazing, and I couldn’t have asked for anything more from them, but it just lacked that electric buzz you normally get from a show. You don’t get the fun of making friends with random people, or the drunken sing-alongs that some of us are used to.

From a promoter’s side, this is going to be really difficult for a lot of smaller bands and artists to play shows. Ticket prices are a lot higher than what you would normally pay, capacity is lower, and not as many venues have the capability to actually accommodate for it. The next year or two is going to be really difficult for a lot of artists, but hopefully more venues will be able to do these sorts of gigs in the next few months.

Words by Ted Stargatt

EP REVIEW: A Joyful Terrorizing ride from The Thieves About

Coming from San Diego’s West Coast, US rockers The Thieves About released their latest EP – A Joyful Terrorizing Ride – a couple of weeks ago. This four piece don’t pretend to be anything but a high energy rock band.

The EP opens with Hurt Me Sometimes. With a combination of overdriven guitar riffs and a leading drummer, this is the longest track of the EP, at just under 4 minutes. The track talks of past loves and the ups and downs associated with it. The bridge really helps enforce that message of the struggle of both being in love and not knowing what exactly is going on. This is a perfect opener to what is set to be a powerful EP.

This is followed by Take Me On (no, not the popular 80s song by a-ha), which opens in a more melodic indie style, with open strummed electric guitars. Using the metaphor of a bar in the opener, this song explores the feeling of defeat and recovery, and the offer of help from others. This gives me a Frank-Turner-Get-Better vibe (although I did keep thinking I was about to hear the words “take on me”)

Next is We Go Down. This is definitely a heavier style of song, with a Metallica style guitar riff to open. This track explores the idea of getting away, both physically and emotionally, from the dizziness that regular life can cause. This lively track is one I really hope to be able to see live one day (and probably get whiplash from headbanging).

The final track from A Joyful Terrorizing Ride is Torn Down. Opening with a dreamy plucked-guitar style, this song has more of an indie vibe that the heavier tracks previous. At about the 40 second mark, the song gives you the more ‘traditional’ sound that I’ve become familiar with from the first three quarters of this EP. This track talks about the idea of others helping to build you back up. This gives the EP as a whole a nice circular feel, from the opening feelings of love and fear, to the closing feelings of reconciliation and hope.

Overall, A Joyful Terrorizing Ride, and The Thieves About, are worth looking out for, and I can see them going far. This latest EP perfectly sums up their sound, and hopefully a band I will be able to catch on the road someday.

Until then, you can check out The Thieves About here

NEW MUSIC ALERT: Elder Brother announce latest album I WON’T FADE YOU

After the success of their 2018 album Stay Inside (ha), alternitive rocker’s Elder Brother have today announced their next album – I Won’t Fade You will be released on the 2nd October via Pure Noise Records.

They have also shared the video for the latest single, I Get So Tired Of You today.

‘I Get So Tired Of You’ is a song we had floating around for a while that we were nervous to pursue because of the prominent keyboard line,” shares Dan Rose. “Kevin can play piano but we were always apprehensive to commit to any keys-driven tunes because we weren’t as confident on the instrument. Once we added Evan to the lineup, who is a classically trained pianist as well as a drummer, we were more confident to start moving in that direction sonically I think the song is a product of us gaining more confidence in our instruments and as a band, in general.

Elder Brother were originally formed by Dan Rose and Kevin Geyer from The Story So far, and were later joined by Morgan Foster and Evan Garcia-Renart. The pair released their debut album – Heavy Head in 2014, and a year later released the 4 track EP Wish You Were Here, featuring 4 tracks of the title name, including an original and covers from The Get Up Kids, Ryan Adams and Pink Floyd.

The album is availble to pre-order here, and hopefully the band will be able to get out onto the road as soon as it is safe to do so.

Via Good As Gold Group PR