We caught up with Jason Williamson from SLEAFORD MODS ahead of the release of their new album ETON ALIVE…. 

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With their fifth studio album Eton Alive set for release on February 22nd followed by a MASSIVE 33 date UK tour, we chatted to the charismatic and utterly captivating Jason Williamson from Sleaford Mods about his work partnership with Andrew Fearn, his loves and loathes of touring and some of the bands and artists that deserve your time….

Sleaford Mods’ fifth studio album ‘ETON ALIVE’ is due to be released on 22nd Feb, it was recorded in Nottingham, who produced it? 

It was just me and Andy!

I was going to ask if you’d worked with this person before but I don’t need to now!

Yes, we’ve worked together for a while now! (laughs)

Do you still get on well when working together?

Really good, we still share a really good partnership and that’s a goal of musicians, to find someone to discover the best way of making music that appeals to a lot of people

Do you find that your approach to songwriting and recording works well?

I think so yes, definitely, it’s what we want to do and it suits us perfectly!

Did you find the recording process easier or harder compared to previous albums?

It’s about the same to be honest with you, you get the songs, the melodies and the subject matter and after you’ve got the basics you build on that and it starts to become a speedy process.

Your latest track ‘Kebab Spider’ lifted from the new album is a much ‘dancier’ track compared to your past material, is this a new direction you are heading in now? 

Erm…..yeah, we like to move it on, the thing is with the music, at face value, to many fans it would appear that it hasn’t moved on but it does so in its own way, it’s not a complete makeover, I wanted to move it into a more accessible arena, a bit more pop orientated….

Are you trying to attract a different kind of audience?

Not really, we just want to do decent stuff that we both like and if that attracts new people then that’s great!

The video to the track looked like it was fun to make, did you have to draft in lots of ‘extras’ to make it happen?

We just put word out on the Facebook fan page and we were inundated with offers, we had about 50 people show up who wanted to get involved, it was a great day!

Where was it recorded?

It was in The Chameleon Cafe where me and Andy first met and we did a lot of our earliest gigs there

You’re heading off on a massive 32 date UK tour from March to May, are there any places on the tour that you are yet to play?

It’s not started yet…..as for new locations, yes there are loads that we’ve not yet played, we’re really looking forward to it.

Any that you’re particularly excited about?

Oh, all of them really, I like the smaller venues!

Can you tell me who’s going to be supporting you on the tour? (if you even know yet!)

A band called LIINES from Manchester, they’re starting to come up in the ranks and developing their own sound, we’re really looking forward to touring with them.

Will you be taking the ‘Eton Alive’ tour to Europe this year? Any overseas festivals?

Oh god yeah, we’ll be playing France and Germany and then loads of European festivals, it’ll be interesting!

Being on the road for a long time can take its toll on you, tell me how you manage to stay sane?

By not drinking and doing drugs! Just looking after yourselves, it’s work, you go on tour in the knowledge that it’s work, it’s what you get paid for, it makes it more do-able if that makes sense! I can’t do the party lifestyle anymore, not an option for me!

What do enjoy most about being on tour? and what do you loathe about it?

Gigging, cultivating the set and seeing how it moves forwards. Travelling can get you down but apart from that, we don’t mind, it’s fun!

I couldn’t see many festivals listed on your website yet, are these going to be announced soon?

We’re having an ‘in-between’ year with a lot of festivals, some like you to take a year out and return every other year so sometimes you don’t get the offers from them for that reason. We’re doing lots of different ones this year, the website isn’t the best place to check, keep your eyes on our social media instead as that’ll be up to date as they are announced.

Record Store Day takes place in April, will you be taking part this year? 

Probably not, we haven’t done that for a couple of years now….

Any in-store appearances planned around the album launch date?

We’ll be doing lots of in-store signings in towns where we’re playing, just makes a change signing records and CD’s and meeting people, this is instead of doing shorter in-store gigs, should be interesting….

Lastly, there are millions of bands and acts out there, please tell us about some of them that you have been listening to recently and you think people should support…..

Viagra Boys, Drill Music (Chicago hip hop, and is defined by its dark, violent, nihilistic lyrical content and ominous trap-influenced beats), ’67’, ‘RV’, Loski, Hip Hop from America, Hus King Pin, Beak which are a 3 piece band from Bristol and 80’s soul….

Any final words for our fans…..

Yeah, come and see Sleaford Mods!

We’d like to thank Jason for his time and wish him and Andy all the very best for the new album and the massive UK tour.

Originally posted to musomuso.co.uk Original post here

FRANK TURNER AND THE SLEEPING SOULS dazzled Cardiff with a monumental show, read our live review….

Tonight saw Frank Turner and the Sleeping Souls play at the Motorpoint Arena in the heart of Cardiff, being the penultimate night of his UK leg of the Be More Kind world tour, we were expecting big things from Frank et al and we can safely say that the audience didn’t go home feeling short changed!

Be More Kind has been a change for Frank Turner, gaining mixed reviews from both the hardcore fans and the new kids on the block. Some of the songs have been better received than others, and this lead to mixed feelings from Turner fans when the tickets were released for the arena tour, clocking in at around the £40 mark. Saying that, if you’ve ever seen Frank live before, you really do get your money’s worth so it was with a medley of excitement and interest that we stood waiting for the great man to take to the stage in Cardiff.

The introduction was mesmerising, everyone went silent and waited in awe and anticipation as to  what would happen next…..and then, on came Frank Turner, with an unusual, but nevertheless amazing, way of beginning with ‘Out of Breath’. Everyone was on their toes, dancing and singing. A circle pit come mosh pit erupted in the front centre of the crowd and, although a short song, it was met with huge cheers at the end. Frank was showcasing a new lighting and effects engineer on the tour and boy, did it show, the effects were amazing, with lights bouncing everywhere and fire shooting up from behind the band. ‘Photosythesis’ followed, a slight change in the setlist order from the end-of-the-show-song that we are all so used to. As always, Ben Lloyd had an excellent guitar solo that made everyone cheer and brought a smile to many faces.

Turner’s next song was ‘1933’, the first of the evening lifted from Be More Kind  which also saw him bring out the electric guitar. It was during this song that I began to notice some feedback from the music system, and Turner’s voice sounding an octave higher than normal through the speaker system. Nevertheless, the song went down a storm.

‘Recovery’ was next, followed by ‘If Ever I Stray’, with Turner back on the acoustic guitar, and the crowd still singing and dancing. A quick change then to the next song of the new album – ‘Blackout’. Turner started out guitar-less, performing his trademark dance moves, before coming down to the barrier to sing and exchange ‘high-fives’ with the front row. Then, during another excellent Ben Lloyd guitar solo, Turner dashes offstage, leaving us all slightly confused, before coming back on with his electric guitar and playing some excellent riffs. In yet another change from the expected, the electric guitar stayed out for ‘Polaroid Picture’. The song brought a couple of tears to people’s eyes, but were soon flicked away by the jumping around during the chorus.

Up next was ‘Brave Face’, another lifted from  Be More Kind. The artwork visual was displayed behind Turner for this. The audience played the part of the gospel choir, as, in Turner’s words – “it was too expensive to bring them along”. I couldn’t see a single person not singing back, and yet again another incredible song. There were still a few audio issues here and there, mainly with feedback and a slightly high-pitched Turner, but it didn’t put a dampener on the mood.

First up from the ‘out of the ordinary bag of songs’ was ‘Mittens’. I’ve always heard mixed reviews of this song, finding it to be a real Marmite offering which divides the Frank Turner fanbase. Saying that, I didn’t hear or see anyone complaining, and I find its one of the ‘better live than studio’ songs of his. Either way, it was met with raucous cheers and applause at the end.

Cahir O’Docherty was welcomed onto the stage next. Some of the older fans might remember Cahir from Frank’s 2013 tour, when Frank injured his back and Cahir stepped in to play guitar. After a short introduction and thanks to the stage crew, Frank did a brilliant cover of ‘Eulogy’ in Welsh. It was safe to say that was the only song where there was few, if any, people singing along, but nevertheless it was great all along!

Then we had the next new song from Be More Kind, ‘Little Changes’, accompanied behind the screen with the infamous dance routine. Lots of people danced and sang along, and although we didn’t have Benny (the choreographer for the video) there, which some of the other arena shows did, it was still wonderful to watch.

‘The Road’, ‘I Am Disappeared’ and ‘Don’t Worry’ all followed, complete with great vocals, dancing and playing from the stage, and a great atmosphere from the crowd. The Sleeping Souls left the stage and suddenly, we just had the main man himself. Frank went into story mode, and told us all about how he had a request for the next song. He confessed he had to Google and re-learn the lyrics, and it was one he had played once in 10 years, one about his hometown. ‘This Town Ain’t Big Enough For The One Of Me’ was played superbly, and although it was mainly the established fans who that were singing along, it was still a great song enjoyed by all.

This was followed by a solo, acoustic version of ‘Glorious You’, the singing picked up, with cigarette lighters and mobile phone torches held aloft and arms swaying side to side amongst the crowd. It was a really well performed version, and helped calm the atmosphere down, even bringing a few more tears to people’s eyes. After this, ‘The Ballad of Me and My Friends’ was given an airing,and featured by far, the loudest audience singing of the whole show. It was almost as if Frank didn’t need a mic for this song.

‘I Knew Prufrock’ was up next, with arms up in the air and singing along, The Sleeping Souls were welcomed back onto the stage. This was also sung by almost everyone, and was met with great cheers and cries at the end. This was followed by ‘The Next Storm’ and ‘Try This At Home’, where there was plenty of singing and dancing, good times all round!

For the (first) big finale, ‘I Still Believe’ was played, with the ‘Hear Ye’s’ displayed behind them, so everyone could sing along, before the call-and-response of ‘I Still Believe’. It ended spectacularly, with more fire and lights.

That was it for the main show, and ‘Be More Kind’ was the first song of the encore. It created a sea of phone lights and swaying arms, and people joined arm in arm in singing and spreading the message of kindness to one another. This was followed by ‘The Way I Tend To Be,’ embellished with a Matt Nasir mandolin solo, then ‘Get Better’ made an appearance before the PROPER big finish.

‘Four Simple Words’ started slowly, with Frank waltzing across the stage and standing up on his platforms, before the main part of the song where he did the classic crowd surfing. After the loop around the room, he cleared a space near the front. In a change from the norm, a lucky gentleman was picked to dance with Frank. It might have been the white-shirt black-tie combo that made it, but it surely was worth the watch. A final mosh pit ensued, before Frank was hoisted back onto the stage, for the closing section with sparks, flames and a cloud of pink confetti to end what truly was an amazing evening.

Until next time my friends, until next time!

A special thanks to all the staff for being helpful and approachable and to all of the crew for making it such a memorable show! I mentioned earlier about the £40 ticket cost, scrub that, it was worth every penny and more!

Originally posted to musomuso.co.uk Original post here