It’s a chilly February evening, and I am thrilled to be piling into a packed out Marble Factory for a night of live music. Drinks in hand, the crowded room chats and laughs, waiting for the show to begin.
Gladie are up first, a five piece hailing from Philadelphia. From the get go they set the stage on fire with their youthful energy and dynamic songwriting. Opening with ‘Thank You Card’, they immediately had my attention as it dawned on me I had this song saved on Spotify! The band have a nervous but charming presence, and having already embarked on several significant support tour, they are one to watch. Their smooth lead guitar lines and intricate songwriting boasts a maturity beyond their years. With a unique style both musically and fashion-wise, Gladie injected a refreshing vitality into the scene, leaving the crowd eager for more.
Following Gladie, Prince Daddy & The Hyena took the stage, returning to British soil after several UK appearances last summer. They delighted the audience with hits new and old, having notably added ‘Black Mould’ to their setlist since I last caught them at 2000 Trees in July. Each song was punctuated with chugging bass lines and cowboy-esque exclamations, showcasing their trademark blend of punk rock attitude and infectious enthusiasm. Their setlist, which included a brand new song, was a testament to their evolving sound and continued relevance in the punk scene. My only regret from this show is not grabbing one of their black and pink hoodies from the merch table… maybe next time!
By the time The Menzingers stepped into the spotlight, the crowd was buzzing with anticipation, thanks to the electric atmosphere set by the opening acts. Armed with a Les Paul, a black Telecaster, and a sunburst bass, the band delivered a tight, punchy performance from the get-go. Seamlessly blending Celtic-inspired punk with elements of English 70s punk rock and country, The Menzingers treated the audience to a relentless barrage of anthems old and new. From the opening chords to the closing notes, there was hardly a moment to catch your breath as the band commanded the stage with seasoned expertise.
Hits like “I Don’t Wanna Be an Asshole Anymore” and the epic “Good Things” ignited the crowd into a frenzy of dancing and singing, showcasing the band’s undeniable charisma and stage presence. With flawless delivery and unmatched energy, The Menzingers proved why they consistently pack out venues.
My personal highlight includes a slower bridge on the third song (annoyingly I didn’t know the songs name! I will find it with enough Spotify digging and coffee!) with their tasteful use of backing vocals. Their ability to bring a crowd down and back up with them in that song was amazing, and I loved every second of it!
Lead vocalist Greg Barnett informs the crowd they have had a very British Sunday, after going for a roast dinner. I wonder if we could contact Greg for a comment on the best place for a Sunday roast in Bristol?
As the cheers and laughter reverberated around the room, it was clear that The Menzingers would be back, and the audience would be eagerly awaiting their return!
Words by Jace from The Bristol Music Journal
Photos by Glenn Morrison – no use without permission
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